Talking Books

On Writing and Faith

I gave this talk as a homily at my church, Park Slope United Methodist in Brooklyn, on August 26, 2007, for one of our Lay Sundays. The text was John 1:1-18, though I took it in a rather personal and writing-related direction. . . . Also, while I did not end up quoting it in the speech, my thinking on these subjects has been greatly influenced by T. S. Eliot's lovely Four Quartets.    

  • This is the fifth beginning I have written for this talk, and, I hope, the last.
  • I write all the time and every day, for both work and pleasure,
  • but writing this speech has been different: 
    • trying to talk about some of the deepest and most important things I believe,
    • on subjects where it’s all too easy to devolve into cliché,
    • with as much honesty and truth as I can
    • And trying to stay under ten minutes.
  • So it has scared me a bit, I must say,
  • and there have been many digressions and changes in direction—
    • the part relevant to Exodus?  No longer included.
    • Never mind those first four failed beginnings.
  • But the direction I’m taking now grew out of those beginnings: 
    • With their stops and starts, the exploration and retreat, the search for what I want to say, and the struggle for the best way to say it.
  • The attempt to be in the moment, the flow; the need for improvement from without and within; the hope of making a beautiful thing that might speak to others; and the desire, always, to connect.
  • And if you get the sense I’m not just talking about writing here, you are correct.
  • Because as I was flailing around to find something meaningful and interesting to say about this John text, which is, after all, all about words,
  • I realized how much my struggle to write resembled my struggle with faith as well: 
    • the same doubts,
    • the same fears,
    • the same hopes of getting beyond myself to something true and real.
  • So I am going to talk here about a number of the ways that the work of faith and the work of writing resemble each other
  • And if the talk turns out to be a sixth failed beginning—
    • Well, I thank you for putting up with it.

 

  • This actually isn’t such a random comparison to draw,
  • Because language and faith are intimately connected in the Christian church: 
    • We don’t dance to feel the spirit, and we rarely meditate to make it come
  • Instead we live in words:
    • studying the Bible,
    • singing the lyrics,
    • and praying—in silence or out loud, but in language.
  • Of course we hope with all these things to get beyond words;
  • but language remains our primary method of approaching God,
  • and often the only way we communicate our experience.
  • Then there is this text in John, which is one of my very favorite passages in the Bible.
  • The Greek word for “Word” is Logos, which can also mean “thought, speech, meaning, reason, principle, standard,” or “logic.”
  • Heraclitus established the term in Western philosophy as meaning the fundamental order of the cosmos.
  • So John’s use of “Logos” for God is calling him the deep structure of the universe: 
    • an Organizing Principle that makes and orders the world.
  • Words, reason, principle, light—indeed, all the metaphors John uses here promise us illumination, straightforwardness, understanding and right action,
  • if we can only connect with it, even for a moment, and then spread its light on earth.

 

  • And that is the first way writing is like faith, or vice versa:  They are both about connection.
  • Even when I’m writing just for myself, to work out an emotion or think through a problem,
  • I’m trying to draw a line between what I feel and what the facts are,
    • how to get from point A in my life to point B.
  • More often I’m writing to connect with other people:  to make an argument or explain my point, to let my reader hear what I’m feeling.
  • That doesn’t mean things will go my way, or be any clearer or any easier
    • But I will have done my best to tell my truth to the world
    • Which sometimes is all I can offer.
  • With God the connection often isn’t so straightforward.
  • My faith sometimes feels like I’m tuning a radio, trying to find the right station, to hit upon the magic combination of words and feelings that will let me be connected with him
    • And then to stay tuned in, through the static of my daily life—
    • And that’s if, I have to say, I take the time to do it at all.
  • But those times it has been right and the connection goes through
  • I’ve felt a peace and rightness and comfort I hardly ever feel otherwise:
  • Feeling in harmony not just with him but with everyone
    • As if I know my part in the Logos and move within it.

 

  • And then once the connection is made, both writing and faith require you to go deeper,
    • to give your time, your love, and your very best effort
    • in service of the truth you’ve glimpsed or want to find
  • I edit books for a publisher in the city,
  • and the thing that separates the real writers from the dilettantes
  • is their willingness to work, to dig down till they reach the depths of their characters and their stories,
  • to cut and write and rearrange till their words are clear as day and pure as night—
  • all in service of the deep structure of the story and the truth they have to tell.
  • As Christians, we make a similar commitment
    • Not just to the Logos, to be part of its order, to shine God’s light on earth;
    • But to love, which upends the established order, and is his light on earth.
  • We’re charged not to settle for the status quo
    • But to work toward the world that we would have it be.
  • It is very tiring, and an uphill slog, and easy to lose sight of the destination.
  • But once you know the truth is out there—it’s the only thing that matters.

 

  • But just as writing and faith are similar quests for truth and connection
  • They also have similar dangers and distractions.
  • And the first of these great dangers is distraction itself.
  • This is my great bugaboo personally:  I pray for my sister,
    • and while praying I remember I forgot to call her,
    • which I was supposed to do while washing my dishes,
    • and shoot, I need to mop the floor too . . .
    • and suddenly I am no longer thinking about God.
  • Or when I’m writing, I need to verify the phrasing of a quotation I want to use,
    • so I Google it and that leads me to a web page about poetry,
    • And that reminds me of an e-mail I need to send to a friend,
    • and two hours later . . .
  • There is a great deal of noise in the world—not necessarily actively oppressive, not even out to get you really, just there,
  • and if you pay attention to it for even a moment, you lose the connection, the flow,
  • The sense of being out of the world, because you’ve been pulled back by something in it.
  • The good news here is, neither God nor your writing care that you went away
    • As long as you come back.
    • That’s the most important thing:  You must always come back.
    • And then they’ll be waiting.

 

  • Of course, it’s easy to start wondering whether it’s worth coming back—
  • Whether what you have to say or what you believe is really true.
  • And this is the second danger to both writing and faith: doubt.
  • It is endemic to both, the shadow in both, the dark that opposes the light of the Word.
  • In faith, we doubt God’s existence, to start with;
    • then his working on earth, if he does;
    • then his interest in us individually, if he has any:  
    • We hear only the vast silence of the universe.
  • In writing, we doubt our having new anything to say, for a beginning,
    • then our ability to say it in the way that’s right;
    • then anyone else’s interest in hearing it . . .
    • We see only the blank page.
  • And these are just the primary doubts;
  • it’s once you start measuring yourself against other people that the fun really begins.
  • Doubt paralyzes us by turning us inward:  
  • Rather than looking at the beauty and truth of the world
  • and all we can accomplish in it,
  • we stare only at what’s inside our own heads,
    • which get more and more warped the longer we stay inside them.
  • The best way out of doubt is to step back from it:  to breathe deep, and see the world again
  • And then . . . I wrestle with doubt a lot, and in the end, for me, the only good way out of the questions is to live as if the answers were “Yes”:
    • Yes, God exists and works on earth and loves us
    • Yes, I have something new to say and people will want to hear it
    • Yes, I can make good things happen in the world
  • Because if I answer “No,” in writing or in faith, it’s all over;
    • I’ll never say or try anything; and
    • I’ll never know what could have been—and neither will the world.

 

  • Of course, there’s also the opposite danger with both writing and faith:  and that’s too much certainty, too much sense that you’ve got it all down.
  • So you fall in love with your own genius, or righteousness, and lose sight of the larger picture—God, the point of your story, the attempt to connect.
  • Several books published recently have posited that all of the world’s troubles come down to religion.
  • But I believe all of the world’s troubles come down to literary interpretation, for as we know, even people who share a religion, or a denomination, or a church, can have completely different understandings of a religious text.
    • In the Islamic world, the forces of moderation and tolerance war with—or are killed by—those who read the Koran and hear only jihad.
    • The Episcopalian church, and our own, have been riven by disagreements approaching schisms on how to read texts regarding gays and lesbians.
  • Indeed, if our fellow Methodist George W. Bush interpreted the Bible the way we do at PSUMC,
    • not only would we NOT be in Iraq, we’d have universal health care, same-sex marriage, and an end to the genocide in Darfur.
  • And as the president’s missteps in Iraq have shown,
  • The next step after deciding your interpretation is the only valid one
    • Is that you stop listening to others;
  • And it’s easy after that to stop loving them, against what Christ intended.
  • Righteousness must be balanced with reason and humility when religious people act in the world,
  • And the same is true for writers.
  • We need to keep an awareness that words inside our heads may not make perfect sense to those outside it,
    •  And to be willing to listen to criticism and then revise till our meaning shines clear.
  • Otherwise, we’re betraying the truth we hope to convey.

 

  • And indeed, what all three of these dangers to writing and faith demonstrate
  • is a focus on ourselves and our own needs and desires to the exclusion of that which we claim to be serving.
  • They’re all forms of egotism, really, saying “Me! Me! Me!” more than anything else.
  • This is especially true of the last danger I’d like to discuss here:
  • Perfectionism, my other great personal bugaboo.
  • Perfection paralyzes, just like doubt
  • But rather than endless mental loopings of the same questions that go nowhere
  • Perfectionism is the idea that you have to go everywhere, cover everything
    • And you are the only one who can do it.
  • A correction there: Actually, I am the only one who can do it.
  • I can see the light, I know it’s there,
    • and I’ll kill myself to try to reach it—or feel like killing myself when I don’t.
  • I had to declare the fifth beginning to this talk was the final one
    • Because otherwise I’d still be writing that paragraph.
  • And all this time, really, I do know
  • God does not care about perfection—in writing or in faith.
  • He knows we makes mistakes; in fact, all of Christianity begins from the idea that he loves us so much his son died for them.
  • And he loves us for who we are, those weaknesses included.
  • All my errors and imperfections; all my failures to say things rightly; all the bad words and jealousy, the many, many typos in my behavior
  • God loves me despite these, and for trying to overcome them.

 

  • Elie Wiesel said once that God made man because he loves stories
  • And as a book person, I find this idea makes that vast love of God comprehensible:
  • God as not just the co-writer but the reader of my life,
  • watching me and nudging me along,
  • with the same affection and engagement I have for my favorite characters
  • Elizabeth Bennet, Harry Potter . . .
  • If they didn’t make mistakes—if I didn’t make mistakes—there would be no story.
  • So I hope God is finding my life amusing.
  • And I’m comforted by the thought of having a happy ending
  • And that God’s directing me in getting there.

 

  • For this is the final and most important way that writing and faith are alike. 
  • It is not that it is all about the journey,
    • because at least with writing, we’re trying to get a very specific result from the journey, and not just the journey itself.
  • But it is that we must love the journey,
    • we must love our doubts and mistakes and missteps;
      • our false starts and our deleted lines;
    • we must come to see it all as a whole,
    • and as our contribution to the whole,
      • our creations going towards God’s.
  • Art, faith, and love are the making of meaning
  • In a world growing ever noisier and more cynical.
  • “In the beginning was the Word, and the Word was with God, and the Word was God.”
  • May we all find the ways to speak our words, and the courage to live them, every day.

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All material (c) 2005-2008 by Cheryl Klein. Questions, comments, and conversation welcomed at chavela_que at yahoo dot com.