The Magic Words

On Writing Resolutions vs. To-Do Lists

(cross-posted from my December 2016 newsletter) 

New Year’s Resolutions often feel like genie’s wishes to me:  outsized, made under stress, and requiring supernatural effort to fulfill. So I make annual To-Do Lists instead — ten to fifteen specific items that I know I can accomplish in a year, if I keep the goals in mind and create the right long-term framework for the actions. While I haven’t written out these lists every year I’ve lived in New York, in the years when I have, I usually organize the items in three categories:  Read, Practice, and Experience. Under “Read” I set out a list of three or four novels I’vealways meant to read and never got around to:  The Brothers Karamazov, Midnight’s Children, Villette. Under “Practice,” I put things like “Cook dinner for a friend once a month,” “Eat four servings of fruits and vegetables a day,” and “Floss.” And under “Experience” went items like “Walk all the bridges connected to Manhattan,” “Eat at Momofuku,” “Go to the Whitney Museum,” or “Run a half-marathon” — trying to push myself out of my everyday life and work absorption toward special moments or more challenging goals. When I lived alone, I posted the list on the back of my apartment door, so I saw it every day, and as I completed each item on the list, I’d write in the date of completion next to it. I don’t think I ever finished the entire list in a year —Moby-Dick and Infinite Jest remain unread — but the “Practices” especially pushed me to make better choices:  When I hesitated over the bathroom sink late at night, torn between the annoyance of flossing and the allurement of bed, the list would say, gently but firmly, “FLOSS.” And then I would.

So I offer this as a technique that might be useful to you as you contemplate the writing and publishing you wish to do in 2017 — both the making of the list, and the categories to break it down. Perhaps you want to create a “Draft” category for your dream projects, “Revise” for those already in progress, or “Submit” for those you’ve been fiddling with for too long. Maybe your “Practice” could be to write every day, or to write a chapter a fortnight, or to draft a picture book a month, or to keep a reading journal to reflect on and learn from the books you admire (or loathe). “Experiences” could include “Getting ten rejections” — because that would mean you had the bravery to send your work out ten times, and survived it — or developing a new school-visit presentation, or trying a different form or genre of writing, or attending a national SCBWI conference. And perhaps you want to “Read” some books that might help or inspire you; I’ll offer a brief list of suggestions below. 

If you like the idea of this list, start by thinking through what you want your writing and publishing lives to look like in 2017, and identifying the goals and practices that will help you create those lives. This in turn leads us back to those big questions:  Who are you? What do you most want? What do you most need? And what kind of changes or sacrifices are you willing to make so you can get those things? Whatever goals you set out, remember to frame them as actions within your control:  You can’t control whether your book will make the New York Times bestseller list or you’ll get an agent; you can control how you shape your marketing efforts and the quality of your first ten pages. Try to make your list in a spirit of love and not punishment, as it should offer your writing and the best parts of yourself more space, more joy, more depth, honor, and time in your life, not be designed to starve you in any way. (Keep in mind the wisdom of the excellent pastrix Nadia Bolz-Weber:  “Nothing you resolve to change about yourself will make you more worthy of being loved.”) And do write or type the list out, and post it somewhere that you can see it regularly, to stay in touch with your to-dos through the next year.  

2017 promises to be a remarkably tumultuous year on the world stage, and its noise and need for action could reach deep into our lives. I wish all of us good fortune in finding the answers, and setting the goals, that will help us stay focused and do great work through this new year.

Interviews, Articles, and Reviews on THE MAGIC WORDS

I'm setting up this post as a one-stop-shop repository of all the interviews I've done for and writing I've been doing around The Magic Words, as well as the book's professional reviews. It will be updated as appropriate.

Interviews with Me

Writing by Me

Reviews of the Book

  • Time magazine: "Magic Words aims to be a master class. . . . Klein deconstructs the seemingly obvious (clear plotlines, sympathetic characters) to reveal the technical intricacies of beloved classics. . . . The Magic Words is more than a handbook. It is also a timely social commentary on the responsibility YA writers have to young adults."

  • The Washington Post: 'Above this bubbling stew of hope and ambition, Cheryl B. Klein floats like a craft-focused fairy godmother with “The Magic Words.” This book is a well-organized master class for serious writers seeking solid instruction.' 

  • Booklist magazine (starred review): "For anyone wishing to write for young readers, Klein's remarkable new book will be a sine qua non, an indispensable, authoritative guide to the act, art, and craft of creation." 

  • Library Journal magazine (starred review): "Wonderful . . . The volume also distinguishes itself from other similar titles with its wealth of exercises, each provocative, proven, and sure to write the ship . . . The new go-to guide for aspiring middle-grade and YA authors." 

  • Kirkus Reviews: "As executive editor at the Arthur A. Levine Books imprint of Scholastic, Klein has edited such well-regarded titles as Millicent Min, Girl Genius, by Lisa Yee (2003), Marcelo in the Real World, by Francisco X. Stork (2009), and If I Ever Get Out of Here, by Eric Gansworth (2013). With this substantial volume, she distills years of experience into an intensely practical, appealingly conversational manual."

  • Bulletin of the Center for Children's Books from the University of Illinois, Champaign-Urbana:  "Klein has plenty of experience with what does and doesn’t work in a book, but she admits in her intro that 'I’ve found writing a book on "how to write children’s and young adult fiction" as humbling and delightful as writing about "what humanity is like" or ‘how to live your life.”' It’s therefore with humor and generosity that she lays out an almost step-by-step guide to writing a children’s/YA book, offering advice, guidance, and exercises."

  • Bookpage.com: "This is the kind of straightforward and knowledgeable feedback that can take writers years to receive in the literary marketplace."

  • TeachingAuthors.net: "Readers close the book smarter about story, craft, genre and format possibilities, children’s book literature and publishing, as well as smarter about themselves as writers."

 

Upcoming Appearances

Many fun things are happening for The Magic Words in the next two months! You can find me at all of these events:

August 13-14:  Writer’s Digest Annual Conference in New York City. I’ll give a talk called “YA Fiction:  What It Is, Why It's Hot, and How to Break Through.” The Magic Words will be available for sale for the first time at the conference bookstore.

September 7, 7-8 p.m.:  The Strand Bookstore in New York City. I'll participate in a panel on writing and publishing great children’s and YA books with Alvina Ling, VP and Editor-in-Chief, Little, Brown Books for Young Readers; Kass Morgan, author of The 100 series; Brooks Sherman, agent, the Bent Agency; and moderated by Eliot Schrefer, author of many excellent books, including the National Book Award nominees Endangered and Threatened. This will pretty much be the launch party for The Magic Words, so I'd be delighted if you were there!

September 10:  The BookMarks Festival in Winston-Salem, North Carolina. I’ll give a presentation on “Writing for Kids and Teens” and participate in two “Slush Pile Live” sessions (aka first page sessions), as well as doing a book signing. The festival is free, with a terrific lineup of authors, including Kate DiCamillo, Joseph Bruchac, Jacqueline Woodson, Lauren Tarshis, Sarah J. Maas and Renee Ahdieh, Victoria Schwab . . . It’ll be quite a day! (And somewhere in there, I’ll need to get barbecue.) Full schedule here.

September 13:  New York Metro SCBWI. I'll moderate a panel called “Crossing the Desk:  Editors Who Write," featuring Daniel Ehrenhaft, editorial director of Soho Teen and author of many YA novels, including The Wessex Papers; Andrea Davis Pinkney, editor-at-large, Scholastic Press, and author of many books for children, including A Poem for Peter:  The Story of Ezra Jack Keats; and Jill Santopolo, editorial director at Philomel Books/Penguin Random House, and author of two YA novels and many middle-grade books, including the Sparkle Spa series. Is it possible to separate the authorial and editorial mindsets—and if so, how? How does it feel for an editor to be edited, and what lessons have they taken from their publishing experiences? In this panel featuring four editors who write, we’ll discuss the pleasures and challenges of doing both kinds of creative work. You can buy tickets here.

September 20, 6-8 p.m.:  Cass County Library Northern Resource Center, 164 Cedar Tree Square, Belton, Mo. My hometown book launch will also be a fundraiser for the Cass County Public Library Foundation. (There may also be another event in Kansas City.)

September 21, 7 p.m.:  Left Bank Books, St. Louis, Missouri. I’ll give a presentation and sign books. 

September 27:  Park Slope Barnes and Noble in Brooklyn, New York. Presentation and signing.